G# Whole Tone — Tenor Banjo
G# Whole Tone mapped across CGDA — every root marked, audio per pattern.
G# Whole Tone is 6 notes to the octave (symmetric family), drawn here across the Tenor Banjo's CGDA strings with every G# marked, so home stays visible from anywhere in the pattern.
Weightless and dreamlike — six equal whole steps with no leading tone, so nothing pulls anywhere. Blurry, floating, and faintly unsettling, like a dream sequence.
Heard in: Impressionist piano (Debussy's "Voiles"), Thelonious Monk's runs, dream-sequence film cues, and the augmented and 7#5 chords it fits in jazz.
Fifths put seven semitones between neighbouring open strings, so a scale spreads three or four notes to a string and one fingering repeats across every pair — learned once, moved sideways.
Run it against a click at a tempo where every note gets the same weight. On a banjo an uneven scale is audible immediately — the instrument gives you no sustain to hide behind.