F Dorian — Tenor Banjo

F Dorian mapped across CGDA — every root marked, audio per pattern.

F Dorian is 7 notes to the octave (modes family), drawn here across the Tenor Banjo's CGDA strings with every F marked, so home stays visible from anywhere in the pattern.

Minor with a raised 6th (natural 6) — soulful, smooth, and less dark than natural minor. The quintessential jazz-minor and blues mode.

Heard in: "So What" (Miles Davis), "Oye Como Va" (Santana), "Eleanor Rigby" (Beatles) — rock, blues, funk, jazz.

Fifths put seven semitones between neighbouring open strings, so a scale spreads three or four notes to a string and one fingering repeats across every pair — learned once, moved sideways.

Run it against a click at a tempo where every note gets the same weight. On a banjo an uneven scale is audible immediately — the instrument gives you no sustain to hide behind.